#Lil wayne a million song how to#
#Lil wayne a million song movie#

Novelty is prized over inherent musical value (notice how people had a lot less to say about that Frank Ocean album once it was finally out hmmmmm). What are the chances that we are all going to choose to geek out over the internal rhyme scheme of Lil Wayne rapping 'A million here a million there / Sicilian bitch with long hair with coconut derriГЁre' at the same time? Low, especially when we could be talking about whether or not Frank Ocean will put out a new album, which, of course, would be new. I have a lot of thoughts on that, but suffice it to say that social media disincentivized publishing the type of deliberate, unsensational writing that mirrors how we might want to think about music at our own pace in favor of a constant churn that is easy to talk about.

#Lil wayne a million song how to#

Now, the internet-or at least the commercial internet that sells your clicks for cold, hard cool points to Budweiser-exists mostly to compile information that you can already find on Twitter, shore up your existing beliefs, and produce short videos about how to make spaghetti that looks good on Instagram. Blogs existed because people spent their time online just doing stuff they liked. Back in the day, which is to say like four years ago, the internet was a place where you could come and find likeminded strangers to geek out over cool common interests with and maybe learn something. There's a beauty to that format (as the person undertaking it, I'm allowed to make bold claims like that) that, to me, is missing from today's version of the internet.

#Lil wayne a million song movie#

There's something reassuring about the enormity of that catalog: Since there's no way I can hope to be anything close to definitive, I might as well do whatever I dang well feel like, even if that means wasting a week breaking down verses on I Am Not a Human Being 2В or devoting a day to a single movie reference in a single freestyle. It's also barely even enough time to begin to make a dent in Lil Wayne's catalog, which, when you count all the Cash Money songs and guest features and present-day songs that purists would prefer to forget-all of which I very much plan to count-could probably keep the concept going for at least a decade. We'll see which one of us ends up being right (me) and which one of us ends up fielding numerous book offers from that company that publishes books for Urban Outfitters (also me) while the other is in said Urban Outfitters chomping away at a Brixton Manufacturing Co. I give him a year before he eats his hat. My coworker Dan Ozzi gives me a week before I lose steam. I'm calling it, creatively, A Year of Lil Wayne. For today and the ensuing 364 days, I am going to blog about a Lil Wayne song. It spawned what might still be considered Lil Wayne's motto, 'what's a goon to a goblin?' If there is a pivotal point in Wayne's career, a moment when he went from star to superstar, 'A Milli' is it.

It enshrined the T-Mobile Sidekick in history forever.В It had the sickest video, a single-shot riff on a star's life behind the scenes featuring a character named Birdman, which was later copied by Alejandro IГ±ГЎrritu and Michael Keaton to Oscar-winning effectвЂ‹. It would top the rap charts, hit number six on the Hot 100, and become the de facto song for rappers to freestyle over that summer, even drawing a verse from Wayne's putative rival as rap's king and top Carter, Jay ZвЂ‹. As he would rap, his criteria compared to your career just wasn't fair.Д«ut to rap purists, Wayne, riding high on the poppy success of 'Lollipop,' still had something to prove, and that required making a classic album with rock-solid bars.

His output was otherworldly: Literally hundreds, if not thousands, of tracks had emerged during this period, whether on official mixtapes or as leaked loosies and DJ mixtape exclusives, each showcasing flows and technical experiments more dizzying than the last. The near-consensus was that he had matured in the two-plus years since his last official album, Tha Carter II, from a popular rapper and skilled hitmaker into perhaps the most dextrous, creative lyricist hip-hop had ever seen. In 2008, Lil Wayne was the hottest rapper in the world, a fixture on radio and the king of the mixtape circuit.